Friday, November 9, 2012

Slaying Dragons: a blog post by Jason Halstead

I was a kid once, farther back than I want to admit. It was back in the days where television was analog and distorted by poor antenna reception. The invention of the VHS tape seemed like a miracle on par with curing leprosy. Unto this fragile and sheltered childhood entered the movie, Conan the Barbarian. In those 129 minutes, my life was changed.

I began to seek out fantasy wherever I could. I started, of course, with the Conan books by Robert E. Howard (and later L. Sprague de Camp and others). I went from there wherever I could, to J.R.R. Tolkien and Terry Brooks and beyond. No matter the story, I was hungry for more. But beyond wanting a rich fantasy life, I wanted to be like the heroes in the stories. As a kid, I'd play and pretend to slay dragons and rescue maidens. Eventually I became too old to do that (especially if I ever wanted to have a girlfriend), but I never forgot.

Wanting to be a hero is a part of almost every boy's upbringing. I won't dare to guess how many girls these days want to be heroines rather than princesses (my own daughter wants to be a mix of the two). I grew up learning everything I could to make me able to be that guy that can take care of himself and help others when the situation called for it - everything from first aid to joining the military to becoming a competitive powerlifter. I want to be the guy who a mugger will look at and decide not to challenge. I want to be the guy who can rip the door off the crashed car that's on fire to get the people out. I want to be able to slay the dragon threatening the maiden.

With that in mind, my newest book is a high fantasy called Child of Fate. It's the first book in the Blades of Leander series. The characters are as real as fictional characters can be, with quirks and weaknesses aplenty. They've got their talents and strengths just like a regular person, but what's most important about them is that they're identifiable.

These are the kinds of characters that we like because we understand them. We can remember feeling the same way at times. By living vicariously through the characters in Child of Fate we can answer the "what if" questions.

And isn't it safer to read a book than it is to buy a sword and drive to the nearest national border and start attacking the border guards?

I don't want you getting tazed or enduring a body cavity search, so please consider Child of Fate a safer and more entertaining alternative.

Early winters and distant cities make the northern reaches fit only for adventurous homesteaders. Alto is on the verge of becoming such a man when his father is ambushed by monstrous raiders from the mountains.

Determined to find help for his father Alto leaves his home behind and sets out with a group of adventurers tasked with learning the true nature of the raids. Help for his family grows more and more distant as the boy is swept up into a budding war with a neighboring nation and the threats of evil forces from the mountains.

A fiery-tempered princess from the eastern kingdom falls into Alto's hands by twist of fate. The fate of two nations rests in their hands, provided they can keep them off of each other's throats.



Pick up your copy of Child of Fate at any of these sites: 

To learn more about Jason Halstead, visit his website to learn about him, his books, sign up for his newsletter, or check out some free samples of his books at http://www.booksbyjason.com.

Thanks for joining us today!
Until next time,
Ciao
JET

Wednesday, November 7, 2012

Symbolism of the Celtic knot

Today I have the pleasure of hosting Michelle Snyder on my blog while I'm over at her blog launching the Saving Face blog tour.  I asked Michelle to put together a post relating to the symbolism behind Celtic knots, which play a role in my new novel.  So without further adieu - here's Michelle...

Michelle Snyder, study from the Book of Kells

The origin of the intricate Celtic knot begins thousands of years ago when our ancestors watched the skies, measured the movement of the sun, moon, and stars, and recorded their findings with dots and lines. Around 8000 BC they saw and named seven planets (then including the sun and moon), and named the days of the weeks after them. They ordered the names of the days by calculating the speed of the planets through their orbits. Megaliths were built to increase the accuracy of their observations. The tools they used to lay out these great stone observatories were strings and rods.

Women were spinning and using thread tens of thousands of years ago. Cords and threads were made by hand, and had many uses other than making their clothing. Cords were used for measuring, and were divided into specific lengths by knots (Duncan-Enzmann). The sections of strings were used to calculate how to divide a circle, to measure time from the passing of stars, and thus to predict the seasons.

Since then knots have acquired many symbolic meanings, and are also used as an information system. For centuries knots have symbolized engagement because knots, like engagements, are binding. In the Celtic, Hindu, and Chinese cultures, knots are designed into wedding garments, representing continuity, longevity, and eternity. Sending messages through love knots is popular in many cultures.

Knots are used in heraldic design, the most famous of which is the Bowen knot – or more accurately an “unknot,” a symbol of the family name. Weaving the string over and under creates intricate patterns, which are used to represent the genealogy of monarchies and nobles. The actual design of the knot is likely inherited from generations of families who were involved in navigation, textiles, or stone masonry.

Another similar function of string, cords, and ribbons is the Maypole. You must have three or more to braid. Maypoles have three, four, five, six, and more ribbons which are woven in and out, over and under by the dancing children. The songs that accompany the dances in ancient times were meant to help children remember how to read the stars, remember the four directions, the eight winds, and to measure time. When the weaving is finished the ribbon is removed from the pole and flattened, and the knot that remains is a physical representation of a mathematical equation necessary to know how to divide a 360 degree circle into single degrees, necessary to find longitude.

Celtic knots are a graphic form of mathematical processes which derive mostly from calendrics. There are countless beautiful decorative letters in the illuminated manuscripts, all designed to preserve the knowledge of how to divide a circle, use the Venus clock, and find longitude. It is easy to see how the woven line which makes these intricate, beautiful patterns could be done with strings, especially if you have ever played cat’s cradle.


Michelle Snyder, M. Phil. is author of several books on the subject of symbology; see her author page at Amazon. Her latest is The Lost Unicorn, a five-star original fairy tale. Visit her blog, Once Upon a Time: World of Symbols.

Duncan-Enzmann has translated thousands of inscriptions from 12,500 BC, found at Ice Age Language.

Saturday, November 3, 2012

Spotlight on Submission Therapy

Billionaire CEO of Blakely Incorporated, Natasha runs her empire with an eagle eye for every detail. She’s an obsessive, compulsive, micromanaging hard-ass, consumed by the need to control every aspect of her life and her business.

But underneath that seemingly strong façade, Natasha is a swirling mess of anger, anxiety and sexual addiction. Only her therapist, Dr. Benson, knows how close she is to burning out...or exploding. He insists on a radical form of treatment – Submission Therapy – knowing that it’s her only hope.

Skeptical but intrigued, Natasha agrees to attend the first session. What she finds there is an erotically-charged environment that will forgive none of her habitual bad behavior. And a steely-eyed man who seems to read her every desire - even the ones she won’t admit to herself.

Will Natasha learn what it means to submit? Or will she allow her brittle pride to rob her of what she truly needs?

You can find Submission Therapy on AmazonAmazon UK, All Romance Ebooks, Smashwords, and Excessica


Submission Therapy EXCERPT:   © November 2012 by Willsin Rowe and Katie Salidas


“You really should change that painting on your wall, Derek.”

“Natasha, I’ve asked you many times to call me Dr. Benson.” He leaned over and checked his notes, then jotted something down. Probably a remark about my attitude. It wouldn’t be the first time, and it damn sure won’t be the last.

“No doubt you have, Derek.”

For a shrink, he really seemed stuck on formality, for whatever reason. Some people’s lives are just so petty. I flicked my hand toward the gauche painting in question. “I mean, it’s not calming at all. Thick daubs of acrylic that look like cellulite on the canvas. And what’s with the oranges and blues together? That’s just insane.”

Dr. Benson didn’t appear to get the joke. Simpleton. He pushed his bookish glasses up on his long narrow nose and glared. “Natasha, I’ve been seeing you for a year, now.” His tone was laced with disappointment. “And you’ve made no progress. No change.” He sat back in his vinyl chair. “None at all.”

“Yep, got it, Derek.” I blocked out his face with my watch for a second. The man could talk! I had four meetings scheduled for this afternoon.

He flipped his notebook and it closed with an unusually loud snap. “You’re still control-dependent, and we’ve made no headway with your addiction to sex either.”

I could recite this lecture word for word now. Time was money and these sessions were already costing me too much of both. Apparently with no results to show for them.

I stood and smoothed my skirt. Derek may be a psychiatrist, but he’s still a man. A straight man, judging by the way his eyes scanned my legs. Too bad for him. If he weren’t just a dull, if handsome, shrink, I might have used him for some much-needed stress relief. He could call it addiction all he liked, but for me it was head and shoulders above these damn therapy sessions.

“Well, Derek. Thanks for a wonderful year. I can’t tell you much I’ve enjoyed losing two valuable hours each week, all for nothing.”

He smiled congenially but the strain in his voice was apparent. “If you’d done the exercises as I instructed, you’d have lost six hours.”

I dug my cellphone out of my Louis Vuitton Olive Monogram Antheia Leather Hobo. “Which is why I didn’t.”

“Which is why you’ve failed at therapy and why you are failing at life.”

The deadpan delivery of those words shocked me. Taken aback, I sucked in a breath and, for a moment, considered throwing my phone straight at his stupid smiling face.

“What the fuck did you just say? Have you seen the size of my house? My portfolio of investments? And I’ve failed? If anything it’s you who’s failed, Derek. You’re supposed to cure me.”

Derek folded his arms. “Natasha, we’ve discussed this rudeness of yours.”

“I’m not being rude; I’m being efficient, getting right to the head of the matter, which is your lack of results.”

“There’s a difference between efficiency and rudeness, Natasha, and you are being—”

I dialed Simon’s number. “Bring the car around.” Then snapped my phone closed and turned to leave.

“Natasha?”

“Derek, I don’t want to appear...efficient, but I have places to be.”

He surprised me by rushing to the door and blocking my exit. I was unprepared for such animation. Standing there filling the doorframe with his arms crossed he almost appeared authoritative. In his khaki pants and black Oxford shirt, and with his blue eyes narrowed behind dark framed glasses he looked like he’d just passed Door Security 101. “So why are you still here?”

The unfamiliar steel of his voice seemed to carry a lilt of taunting. I nodded at the hallway behind him. “I’m hardly going to climb over you.”

“You know what I mean. Why haven’t you gone to yet another doctor?”

Because no-one else will take me. Because I’ve carved a sharp-tongued path through them all. No way I’d expose myself like that. Not to this nobody. He already had too much of me sitting in his notebooks. I pulled out my gold cigarette case and flipped it open. “I really don’t know.”

“Natasha, you can’t smoke in here.”

I rolled my eyes. Tiny lives with tiny rules. “Derek, my company owns this building. One of my companies, anyway.”

He produced a business card from his pocket. “This is it, Natasha. Your last chance.”

I glared at the card, but he didn’t waver. Just held it steady as I blew a stream of smoke into his face. Finally I took the thing and checked it over.

Room 112

Master Sweet

“I see your people are no better than mine. I should proof-read for you.”

Sadly, he didn’t rise to my taunting. He remained remarkably collected, delivering his deadpan statement. “Master Sweet is not a room.”

I tapped the ash from my cigarette into a potted plant by the door. “So what is it? Candy?”

“Radical therapy. I’ve tried the softly-softly, ‘tell me how that makes you feel’ method. It’s had no effect. Clearly you need a more hands-on approach.” He tapped the edge of the card in my hand. “And what you’ll find in that room will gel perfectly with your current…addictions.”

________________________________________________________________________________
A little about the authors...

Katie Salidas is a Super Woman! Endowed with special powers and abilities, beyond those of mortal women, She can get the munchkins off to gymnastics, cheerleading, Girl Scouts, and swim lessons. She can put hot food on the table for dinner while assisting with homework, baths, and bedtime… And, She still finds the time to keep the hubby happy (nudge nudge wink wink). She can do all of this and still have time to write.

And if you can believe all of those lies, there is some beautiful swamp land in Florida for sale…

Katie Salidas resides in Las Vegas, Nevada. Mother, wife, and author, she does try to do it all, often causing sleep deprivation and many nights passed out at the computer. Writing books is her passion, and she hopes that her passion will bring you hours of entertainment.

You can find out more about Katie Salidas on her Website  or her Facebook Page.


Willsin Rowe falls in love with a scent, a playful expression or an act of casual intimacy more easily than with physical beauty. When confronted by any combination of those elements he is a lost cause. He has done many things over and over, done even more things only once, and half-done more things than he cares to admit. He loves to sing and doesn’t let his voice get in the way. He is intelligent but not sensible. He is passionate but fearful. He is not scruffy enough or stylish enough to be cool.

You can find out more about Willsin Rowe on Facebook Page.
Enjoy!
Until Next Time,
Ciao
JET







Monday, October 29, 2012

Announcing Saving Face and blog tour contest!

Saving Face is now available on Amazon, Barnes & Noble, Smashwords and Kobo

The Windwalker Serial Killer stalks the inlets of southern Maine for the next beauty to advance his collection and Special Agent Steve Williams is frustrated with always being a breath behind the slippery psychopath. Escalating the pressure, Steve’s adopted sons, CJ and Tom Ryan, take teenage rebellion to an entirely new level, leaving Steve in an explosive situation.


When the Windwalker slaughters Tom’s ex-girlfriend, taking her face as a macabre trinket, Tom is found on the scene covered in her blood, with her scalped body draped across his lap. Damning evidence against him is unearthed, his father's secret identity is about to be exposed, and he's charged with Tanya’s traumatic murder.

To prove his innocence, their only hope is the worst-case scenario; for the Windwalker to harvest a new face.



Blog tour dates include the following stops:


November 7th – http://whiteknightstudio.blogspot.com/


November 8th – http://fantasy-pages.blogspot.com/

November 14th – http://www.bittenbybooks.com/ Contest for $25 Amazon Gift Certificate!

November 15th – http://tbrtheblog.blogspot.com/

November 24th – http://lisabetsarai.blogspot.com/

November 29th – http://patriciastoltey.blogspot.com

November 30th – http://catemasters.blogspot.com/

December 6th - http://authorpoppet.wordpress.com/blog/

December 15th - http://www.kboards.blogspot.com/search/label/Author%20profiles/

As new dates are finalized, I'll add them to the list, in the meantime, swing in on the stops and say hello!
Until next time,
Ciao
JET

Monday, October 15, 2012

Keeper of the Black Stones Cover Reveal!

My friends over at Glass House Press have this new book coming out early next year and I thought I'd help spread the word...

"I've gone by many names, but it has always been me. I met Anne Frank before she wrote her diary. I consulted with Churchill on political doctrine. I crossed the Potomac with Washington. And I even polished Napoleon's shoes, once, though it's not a story I like to tell. I realize that these boasts won't be taken seriously, but I must remind each of you that at one time the earth was flat, the atom unbreakable. And the thought of reaching the moon was just as ridiculous as time travel.


I know, because I was there.


My name is Jason Evans. I'm ten days shy of my fifteenth birthday, and this is my story..."



Keeper of the Black Stones
A Stone Ends Book

Jason Evans, a shy, introverted high school freshman, thought that his mundane life was all there was - girls, golf, physics, and the occasional bully. Until he found out about the secrets his grandfather had been keeping from him ... a set of stones that allowed him to jump through time ... a maniacal madman who used the stones to shape history to his liking ... and Jason’s role as one of the few people in the world who could stop that man.

Against impossible odds, a fourteen-year-old boy must take up his legacy, learn everything he needs to know within one short day, and travel helter skelter into the Middle Ages, to join Henry VII’s fight against Richard III, end the Dark Ages, and stop the man who now holds his grandfather captive. In this romp through history, Jason and his friends must race against time to accomplish not one, but two missions.

Save his grandfather.

And save the world.


Excerpt from KEEPER OF THE BLACK STONES:

“What is this place?” he asked breathlessly. We were in a dark underground room, much smaller than our basement. The room was lined in thick concrete blocks. There was no light coming from the outside, and I guessed that the room was probably soundproof as well. Not a room built for entertaining. A room built for keeping secrets.

Paul found a cord in the ceiling and pulled it. We both jumped as several light bulbs clicked on and flooded the room with harsh artificial light. The light revealed a small metal desk with an old wooden straight-back chair against the back wall. A computer monitor and hard drive sat on top of the desk, along with several pens and pencils and one red three-ring notebook. Beside the desk stood two wooden bookshelves, filled to bursting with books. Next to those, a large map of England was taped to the concrete wall.

I ran my eyes over the map to the floor on the left, and froze. The desk and map were odd, but at least they were everyday items. The large black slab of stone lying next to them was not. The cold chill ran down my spine again, and I shuffled backward several steps.

“Oh my God, is that it?” Paul asked nervously.

I ignored the question and inched my way forward, toward the stone. It was large, perhaps 7 to 8 feet wide and 10 to 11 feet long. Easily 3 to 4 inches thick. Hundreds of symbols were etched into the dark surface, in a language I’d never seen before. The stone was glossy, but didn’t reflect light the way it should. Instead, it seemed to suck the light from the room around us, building its own dark aura. And it hummed. I could feel the pulse of the stone in my bones, like a giant, steady heartbeat. It beat again and again, matching my own heartbeat, and I forgot to breathe. Doc hadn’t been lying, then. The stone did speak to him. And it called to me the same way it called to him. I’d been hearing it for days. I just hadn’t realized it.

As I stood there, transfixed and listening, the writing on the stone began to glow. I blinked and looked again, to see that the glow was gone.

“Did you see that?” I gasped, reaching for Paul and taking my eyes off the stone for the first time.

“See what?” Paul whispered. “The only thing I see is that creepy stone.”

“The symbols … I think they moved,” I said, surprised that Paul hadn’t seen it.

Paul shook his head. “Didn’t see anything like that, buddy.” He took a step toward the stone and bent over to look at it.

I followed slowly, wondering if I’d been seeing things. Then the humming started again, louder than before. This time it went straight to my head, and I gasped and fell to my knees. The stone thrummed louder, and took on its eerie glow, burning brighter and brighter until the symbols themselves lifted up off the surface. They hovered just above the stone’s surface, ghostly, dark reflections of their physical counterparts. Then they began to move, dancing around the edges of the stone to the humming rhythm of its heart.

“Holy…” I breathed. It was one of the most beautiful things I’d ever seen.

“Hey, what on earth are you doing?” Paul asked nervously.

I stood, keeping my eyes fixed on the dance in front of me. “You’re honestly telling me that you can’t see that?” I whispered.

“See what? This isn’t funny anymore.”

Paul grabbed my arm, and the dance ended as abruptly as it had begun. The symbols fell back into place, and the stone lost its glow. I moaned quietly. The symbols had been strange, eerie, and frightening, but they’d also been surprisingly familiar. Losing them was almost physically painful. I focused on the stone, trying to bring them back, or make the slab glow again.

“So how exactly does this thing work?” Paul asked, breaking my focus.

I cleared my throat and tried to find my voice. “Doc didn’t exactly leave directions in his journal. He just said that the stone … spoke to him.”

“Well what the heck does that mean? That stone doesn’t look like it has any kind of speech capabilities.”

I smiled. “Actually, I think I know exactly what it means.”

Paul didn’t hear me, and reached out to touch the stone. “So this is it,” he said, bending down. “This is the stone that can take us into the past.”

“Stop! What are you doing?” I grabbed his hand and pulled him back.

“I’m just touching it. Why?"

“I don’t know. Who knows what might happen? Maybe you’re not supposed to touch it,” I answered.

“Ah.” Paul nodded. “Good point.” He shoved his hands back into his pockets.

As he spoke, though, a jolt of energy shot from the stone into my bones, and the unearthly glow returned. I felt an irresistible urge to put my own hands on the stone, and allow the symbols to race across my skin. Confused, I closed my eyes, trying to focus and clear my head. All I could feel, all I could hear, was the stone’s humming, drowning out all other sight and sound. Drowning out thought. Then it was gone, leaving in its place a feeling of calm contentment. Of readiness. And a clear, precise light in my mind.

I could feel the stone beneath my hands, as though I were already touching it. My mind explored the deep, cold grooves in the surface, and felt the light touch of the symbols as they moved. A shot of heat moved from the stone, through my hands, and down my spine.

“I wonder what the symbols mean,” Paul said quietly.

I heard him through the haze of the stone, as though he were standing on the other side of a wall, or under water. I suddenly became acutely aware of my surroundings – the smell of mildew and garlic, the friction of a cricket rubbing his back legs together outside. I could taste the sodium that clung to the salt water embedded in the concrete of the walls around us, and felt Paul’s heart beat as if it were in my own chest. I heard sounds that didn’t make any sense. Horses running, and the sound of metal screeching against metal. Men yelling, or cheering.

Looking down, I saw a hazy, half-formed path in front of my feet. Listening closely, I heard exactly where it would lead. And when.

I opened my eyes, breaking the spell, and turned to face Paul. His face had gone slack and white as he stared at me.

“I know exactly what the symbols mean,” I said quietly.

“How do you know that?” Paul asked.

“Because,” I replied slowly, “the stone just told me.” 
 
_____________________________________________________________________________
Look for Keeper of the Stones  in stores in February of 2013!
 
Thanks for dropping by.
Until next time,
Ciao
JET

Friday, September 28, 2012

Interview with Author Susan Cartwright



Today I have the pleasure of having Susan Cartwright, author of Wolf Dawn and Wolf Revenge, on my blog.


JET: Can you tell us about your most recent book?

Susan: Wolf Revenge is the sequel to Wolf Dawn. It is a continuation of the nail-biting adventure of love, spaceship chases, plagues, alien planets, mind control and the wonderful Red Wolves of Opan.

JET: What drew you to science fiction?

Susan: Probably watching Star Trek and Star Wars. I read everything from Regency romance, paranormal, thrillers, murder mystery and cowboys – you name it. But I only write the future. I like world building on other planets, and imagining futuristic philosophies and attitudes. For a start in my books humankind has lost the guilt ridden, prudish, impractical responses towards sex

JET: What’s been your most challenging hurdle on the road to publication?

Susan: Overcoming my own barriers.

Luke: “I don’t believe it!”

Yoda: “And that is why you fail.”

What I like about e-book publishing it is that ANYONE can publish ANYTHING and they don’t have to have approval from publishing “gatekeepers.” Other than vanity publishing, publishers once were to the final authority dictating who could and couldn’t write. Now everyone can write a book. And let the reader decide.

I was told to write in a certain way to get approval from a publisher. Adverbs were out. That is to say, “He stepped forward gracefully and took her hand…” “Gracefully” would be frowned on by a publisher. Why? I don’t know. I like adverbs.

I was told to keep a book to 100,000 words or no publisher would publish it. “Wolf Dawn” is about 140,000 words. With e-publishing I was free to write exactly what I wanted, without constraint. Believe me, after trying to meet publishing expectations, this lack of restraint really made my day.

In the end, I made the decision that I didn’t really need a publisher’s magic wand of approval to feel validated as an author. I just needed to get my book out there. So far, people seem to like “Wolf Dawn.” Many even love it.

It’s a big jump to make, self-publishing, but it felt good to just go ahead and do it. No regrets so far….

JET: What was your favorite moment in the journey?

Susan: Readers and fans. How neat is that? I love reader’s comments. Many people love my little wolf story. Readers have also been giving me ideas on further books. For fun I have put some fan’s names as characters in my books. It is a little thank you and fun for them and me.

JET: Which authors had the most influence over you growing up?

Susan: Too many to name. I was an introverted child and chronic reader, regularly transporting myself to other worlds.

JET: When did you know you wanted to take the plunge into the writing world?

Susan: When I was first published in 4th grade, but I couldn't see money in it so like many potential authors, I pragmatically got a well paid career instead, and wrote as a hobby.

JET: What’s the craziest thing you’ve done in the name of book research? Most interesting fact you uncovered?

Susan: Oh, quantum physics for sure! (Research for Wolf Revenge)

You see, the act of observing creates the observed.

The double-slit test uses an electron gun to fire particles at a far wall through two slits. The gist of this experiment is that the particles fired through the double slits always take the form they are expected to take. The observation of the observer is what dictates the electron’s form (whether wave or particle). The electrons actually have no form until they are observed. The act of observing is what prompts them to take on any form at all, and each observer creates something different. It throws out everything we once believe in physical or mechanical physics re: cause and effect. Pretty fascinating stuff.

JET: Of all the novels and stories you’ve written - which one is your favorite? Why?

Susan: Book Two, Wolf Revenge. What is not to like about Revenge? So satisfying! Everyone loves that book best, including the author. In the words of one fan: "Wolf Dawn was enchanting and Wolf Revenge exhilarating!"

JET: Any advice (from a writer’s standpoint) for the novices out there?

Susan: The best authors write. Just write, write, write pages and pages per day. You will find your own unique style and become good through practice. Oh, and believe in yourself.

JET: All right - now that I’ve hammered you with the big questions, let’s tackle my favorite (and geeky) quick ten. . . starting with: Paper or Plastic?

Susan: Paper

JET: Steak or Tofu?

Susan: Rare Steak

JET: Beach or Mountains?

Susan: Beach

JET: Country or Rock-n-Roll?

Susan: Rock-n-Roll

JET: Leather or Lace?

Susan: Leather baby!

JET: Angels or Demons?

Susan: Angels

JET: Paper or Digital?

Susan: Digital

JET: Silent Film Classics or Cheesy B Rated Horror?

Susan: Cheesy for sure

JET: Twilight or True Blood

Susan: True blood. I like grit

JET: Coffee or Tea?

Susan: Fresh ground coffee. Yum

JET: Thank you for indulging me. Before we wrap this up, can you tell us what you're working on now? What's next?

Susan: The next in the series, Wolf War, Wolf Trap, Wolf Trials or Wolf Triumph. I have no end to ideas, and love spending time with my characters.

JET: Thank you so much for taking the time to chat on my blog. Folks, you can find out more about Susan Cartwright and her work over at her website:  http://www.susancartwright.com/

Until next time,

Ciao.

JET

Thursday, September 6, 2012

Sock Puppetry by Dominic H. King

What do 7-time Tour de France ‘winner’, Lance Armstrong, and crime writer, R.J. Ellroy, have in common?


Well, it would appear they have both cheated to get ahead. Lance Armstrong by doping and R.J. Ellroy by inventing people to favourably review his books and attack those of fellow authors – a practice that has been dubbed ‘sock puppetry’.

Lance Armstrong has not admitted the offence, but some commentators and other cyclists from his era have sought to defend the practice by stressing that everyone else was doing it and therefore implying that this was the only way he could ever have ‘won’. Whilst in publishing, RJ Ellroy is by no means the only author to have admitted inventing personas and conversations in a bid to boost sales (see Guardian UK article).
As a new author this poses a number of questions for me: Are authors old and new using pseudonyms to get ahead? Do I stand a chance of being noticed if everyone else is artificially building a buzz around his or her work? If everyone else is doing it, does that make it OK for me to do it too?

Without wanting to sound like a martyr in an industry I have been part of for a nanosecond, I would answer the final question with a firm no. Without specified rules of engagement, any competition becomes meaningless, whether that be slogging your guts out to reach the top of Mont Blanc or the Amazon bookseller list. Full disclosure: I have asked friends who have read my book to tell the world what they think online. True, they doubtless see the book through rose-tinted glasses but, to my mind, this is a world away from posting your own reviews and slating competitors. R.J. Ellroy might well retort that any publicity is good publicity, but it will be interesting to see how these revelations impact on his sales.

Publishing has changed dramatically since the arrival of the digital book, bringing with it the rise of the self-publicist and the peer review. Clearly, sock puppetry is one of the challenges that emerges as authors become their own publicists so I was pleased to find out that Goodreads has a system for identifying the practice and that the Society of Authors would consider introducing a new code if it becomes more widespread.

Ethics can be highly subjective but I think most people would find it hard to justify the actions of anybody, be they a cyclist or an author, who cheated to reach the top. Maybe Lance Armstrong and R.J. Ellroy, let alone Marion Jones and Ben Johnson, would tell me it was all worth it.

But somehow I doubt it.

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Dominic H. King is author of the Twin World trilogy. Vol1: The Chamber It is available here on Amazon, Amazon UK and Barnes & Noble.

When an unstoppable evil force known only as ‘the Reaper’ seeks to break into Kal’s world, his life becomes intrinsically linked to that of Daine, a ruthless female assassin. Boy and girl must face challenges both together and apart if Kal is to save his father who lies in a chamber far away, and Daine is discover why she has been called away from everything she has ever known.

Kal must travel further than he has ever been before, alone, except for the sporadic guidance of his father’s best friend, the mysterious Juquor. Relentlessly pursued by the deadly Arrochom, he must show maturity beyond his years to fight prejudice, solitude and the fears that cramp his every waking moment if he is to find a way back to his father.

Daine finds herself in another world, ripped from the comfort of the profession that is all she has ever known, unable even to converse with those around her. Confronted with feelings from a missing adolescence and forced to learn everything she once knew again, she must battle with her gender and revisit painful memories if she is to find purpose and quell the daemons that stalk her dreams.

Excerpt:

Chapter 1.i

“You must get back. The evil one is coming. You must be gone before he arrives.”

The old man called to him, but his mind felt heavy and sluggish. Great trees and fields of corn burned. Children ran screaming, their faces contorted with fear. A dark presence rose up, high as a mountain, blotting out the sun.

“Do you hear me? Help is on the way but you must get back!”

The boy awoke with a start. Cold stone bit into his back and he raised himself onto his hands. As he did so, a flash of pain erupted from his leg and looking down he saw that the right leg of his hair trousers was wet with blood. His vision blurred and he tried to focus on his surroundings. A great stone chamber engulfed him, hollow except for thirteen pillars forming an inner-circle. A shaft of light fell from an unseen hole in the cavern ceiling, flooding the centre of the chamber with a pale, ghostly green translucence.

Is it illuminating something? Or someone?

An unseen force; a howling, gusting gale battered the depths of his soul. It bounced around the chamber, wailing and screeching, cutting and biting. Yet nothing stirred.

Laying in utter darkness some twenty paces outside this circle, the boy groaned, raising into a sitting position and squinted ahead, trying to ignore the throbbing pain in his leg. A man lay prone on the cavern floor; his naked body looked frail, brittle. The boy could make out a deeply lined, lightly bearded face and something stirred inside of him.

Was this the man from his dream?

Have I been entombed? Or am I dead?

He thought he should check on the old man but fear kept him still. 

Chapter 1.ii

The air was heavier than usual, unwilling to allow either heat or rain to escape. Dark clouds swirled menacingly overhead, as though forewarning her of danger. She had scouted the area and found nothing, but the stillness made her wary.

Could it be a trap?

She kept her senses sharp and her mind alert for any signs of company. There was only a small window of time to complete the mission. She had to get in and out without being seen. There was no back up, no friends to rescue her if things went wrong. She always worked alone and she liked it that way.

She straightened and craned her neck around the low stone hut she had been crouching behind since the sun had gone down. It looked like the Reaper’s army had moved on but a deep sense of foreboding gripped her. She must be gone before they returned. She made one final scan of the area from her hiding place before gliding away across the sodden earth. The evening was stiflingly muggy under the blackened sky, which offered just the faintest tinge of murky moonlight to guide her. She would not make a sound, she had been taught by the best.

But then, I am the best they have ever seen.

She crept forward with her eyes fixed on the low stone entrance, senses straining for any sign of an ambush. The landscape was bleak and barren. All living things had either escaped or died trying. Charred remains smoldered around her and she tried to block out the stinging, nauseating stench of burnt flesh searing her nostrils as she crossed towards the low entrance to the chamber hewn smoothly out of the black rock.

Get in, get out. It was a job. Nothing more. It was how she survived.

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Until Next Time...
Ciao
JET