Welcome to another Manic Monday installment! Today, I’ve got J.R. Tomlin on board. J. R. is a published author of Historical Fiction with two novels set in the medieval Scotland. She has also co-authored fantasy adventures. Although she was born in Texas, she was reared in part in Edinburgh, Scotland by her grandparents. Scotland's amazing history has always fascinated her. In particular, she has always loved the heroism of the men and women who fought for freedom in the Scottish Wars of Independence and chose to write about them. She attended the University of Texas at Austin and now lives in the US Pacific Northwest.
There is nothing better than a sword fight: lots of blood and sweat and drama, right? I absolutely agree as long as it has at least a passing resemblance to a sword fight. Unfortunately, in novels a lot don't. Either they are so detailed, often with inaccurate silly-sounding details, that they're boring or they're so vague no one can possible visualize it because the writer knows nothing about sword fighting.
Since I write medieval historical novels and medieval fantasies, this is something I've given a lot of thought. Sword fights should be fun for the writer and the reader. Exciting. You may leave out some of the details but you should know what is involved.
I hear someone saying, your female character has to use an epee because a longsword is too heavy for a woman to pick up, much less use.
Now swinging a sword is tiring. Don't get me wrong. But it is certainly something that a woman can learn and do. To win against a larger, stronger person with longer reach, a sword fighter uses a somewhat different technique than a larger fighter, moving in close.
I should say that in my historical novels women don't use swords because they were rarely taught to, although there were exceptions. In fantasies, of course, we can make our own rules.
That still leaves the issue of making a sword fight interesting to read about. I think of it as resembling writing about sex. Sometimes you put in a lot of details and sometimes you don't, but what always matters is how the character feels about it and how they experience it.
You don't need a big vocabulary to write one. Various schools of fighting made fancy terms, but who would understand them? Parry, dodge, and riposte will about cover it. As hilarious as the Wesley and Inigo Montoya sword fight was in Princess Bride, unless you want people to chuckle at your sword fights, that's now not to write one. A sword fighter's feet belong on the ground and save the fancy moves for showing off. Bleeding dead on the ground doesn't count as showing off.
Folks, you can find out more about J.R. Tomlin on her blog: http://jeannetomlin.blogspot.com/
You can buy her books at the following links:
Freedom's Sword: http://www.amazon.com/Freedoms-Sword-Historical-Scotland-ebook/dp/B004RUZPPY
A Kingdom's Cost: http://www.amazon.com/Kingdoms-Historical-Novel-Scotland-ebook/dp/B004YKVXR6
Talon of the Unnamed Goddess: http://www.amazon.com/Unnamed-Goddess-Fantasy-Adventure-ebook/dp/B00580V7YU
Laying the Odds: http://www.amazon.com/Laying-Odds-Fantasy-Adventure-ebook/dp/B0051H58NG
Friday, I’ll be dishing it up with Harper Alibeck.